The Friends of the Georgetown Public Library’s Hill Country Authors Series events will be listed here. Next event:
PRESS RELEASE: JEFF ABBOTT, JANUARY 31, 2018, GEORGETOWN PUBLIC LIBRARY
Austin novelist, Jeff Abbott, will return to the Georgetown Public Library to speak at the Hill Country Authors Series on Wednesday, January 31st at 2 PM. Abbott’s first appearance here was in 2012; this time he’ll discuss his fourteenth novel, Blame, published July, 2017, to critical acclaim. Known as one of the best thriller writers in the business, his latest effort was described by fellow thriller author, Harlan Coben, as “the perfect blend of complex characters, plot twists galore, and great psychological suspense."
Bestsellers around the world, Jeff's novels are thrillers that center on ordinary people caught up in sudden, unexpected nightmares, often related to secrets in their past. They combine high-stakes intrigue with emotional punch.
In Blame an amnesiac accident victim has to investigate her own past in Abbott’s tense psychological thriller. Froom Kirkus Review: “The Austin, Texas, suburb of Lakehaven is shaken when two teenagers drive off a cliff; driver Jane Norton survives while high school hero David Hall is killed. Jane comes out of a coma with part of her memory lost. After a note is found at the accident scene that suggests Jane caused the accident in a suicide attempt, she becomes an outcast; as Jane pieces together her own history, she becomes convinced she wasn’t trying to kill herself, and the accident starts looking more like murder. The unconventional plot, the constant surprises, and above all the psychological depth of the characters all make this a first-rate crime novel. “
A Rice University graduate with a degree in History and English, Abbott worked as a creative director at an advertising agency for more than eleven years, as he continued to write novels. He left that job in 2005 in order to write full-time after the success of his thriller, Panic. Three of his novels have been optioned for film, and are in script development.
He is a three-time nominee for the Mystery Writers of America’s Edgar Award and a two-time nominee for the Anthony Award. Jeff’s first novel, Do Unto Others, won both the Agatha Award and the Macavity Award.
The event begins at 2 pm at the library located at 402 W. 8th Street in Georgetown; the doors open at 1:30 pm. Tickets may be purchased online (link here) beginning December 1 at the special online price of $13.00. Tickets will go on sale in the Second-Hand Prose bookstore on the second floor of the library on January 2, 2018 for $15.00, $18 at the door. Tickets are also available from the Wow!mobile, the bookmobile that services Georgetown. Contact Marcy Lowe at 512-868-8974 for more information.
A dessert and beverage from the Red Poppy Café in the library will be served.
Sunday, September 23, 2012
Olive Kitteridge: A Flawed Character Inspires Insight
We had some disagreement as to how sympathetic a character Olive was. Without a vote, I think most of us experienced a lot of dislike and disappointment when reading about Olive's interactions with people. I guess the very worst was her treatment of Henry during their experience as hostages. A close second would be her essentially vandalizing her new daughter-in-law's belongings at the wedding, and a third that comes to mind is her sudden explosion into anger at the end of her almost-successful visit with her son, Christopher, and his pregnant second wife. It's easy to find things to dislike about Olive! Jan didn't like Olive's being the kind of teacher that the preteens she taught were afraid of. Phyllis adamantly claimed she disliked Olive. Kathy said Olive was controlling. In the story about Olive's visit to her son and his pregnant wife, her son Christopher seemed to accurately characterize Olive when he said she was excessively changeable so that he never knew whether to expect a horrible or comfortable mood from her. And Henry, Olive's husband, who was probably the most sympathetic character in his long-suffering tolerance of Olive, was the one who noticed that Olive never apologized for anything...ever.
The author created an in-depth portrait of Olive Kitteridge, with all her unpleasant weaknesses and faults. This portrait included some almost exemplary, yet still questionable traits within Olive. Dennis suggested that Olive was created as a typical New Englander, from Maine, brusque in conversation and closed to emotional expression, especially loving emotions. Pam noted that Olive was multifaceted and very real and thought of her as a character who had loving feelings and thoughts but couldn't express herself. Did Olive purposely help the young man, Kevin, who had brought a big gun to kill himself with, or was she just being nosy? The anorexic girl certainly seemed to bring out a soft side of Olive. Olive felt strongly about Nina, perhaps because she sensed a kindred soul. The girl was starving herself by withholding food, and Olive was starving herself of love by withholding affection. I thought Olive had an easier time being sweet with people who were not close to her than with her family. Dennis noted that Olive was perceptive and involved with people. Marla said Olive helped people to control their lives when she could. And then there was the shut-in, Louise Larkin; what a convoluted meeting the Olive had with her, and what convoluted emotions and character traits connected in that story!
The stories turned out to be much deeper than what one might notice upon a first reading. Things happened, and characters were mentioned briefly and connected with a happening. Later, when thinking about or discussing them, the reader would realize how real and meaningful these characters and/or their situations were. In Olive, the author created a complete character, shedding more and more light on her in each story. Profound phrases, such as "...day after day was unconsciously squandered" and profound ideas, such as the "basket of trips" are scattered throughout the book. Our discussion stayed on topic, with lots of brainstorming about aspects of the book. The author didn't exactly leave the reader with open questions. It seemed the answers were all there in the book, but you had to think to understand them. As John said, the stories left a lot open to interpretation. They invited interpretation. Along with all the characters, interactions, events, and seemingly unrelated stories, we noted several pervasive themes in the book: mothers, marriages, small town life and gossip, and life itself. Through the adventures and quirks of the aging Olive and Henry, the reader is encouraged, as Shirley noticed, to examine you own life.