For my absentee contribution this month, I'll pass along some library news and mention a few new/forthcoming titles of interest.
First, a great film opportunity beginning this fall: My friend Kate, in charge of programming for Round Rock Public Library, just received RRPL's coveted acceptance as a participant in Community Cinema 2012-2013. I believe that Round Rock will be one of only four Texas locations (also Dallas, Austin, Houston) to host ten monthly screenings, September through June, of films from PBS’ award-winning Independent Lens series of documentaries. Along with the chance to view these great films two weeks to two months before they’re broadcast nationally, you’d benefit from the post-screening insights of speakers and panelists.
A film adaptation of Half the Sky (based on the book by Pulitzer Prize winners Nicholas D. Kristof and Sheryl WuDunn- about human rights abuses directed toward women) opens the series
in September; other titles include As Goes Janesville (Midwestern
town after GM plant closure) and The Revolutionary
Optimists (empowering the youth of Calcutta), along with others to be
announced soon. I’ve viewed a clip of Solar Mamas (women
from Africa and South America—some illiterate--training to become solar power
engineers for their villages); it was wonderfully inspiring.
The content of the Independent Lens series
is definitely geared toward an adult audience. You don’t have to live in
Round Rock or have a RRPL card to attend. More info will be forthcoming
at www.roundrocktexas.gov/library.
You can read more about Community Cinema here: http://www.pbs.org/independentlens/getinvolved/cinema/
Some new and soon-to-be published titles that may interest the group: Liza Klaussman's (she's Herman Melville's great-great granddaughter) Tigers in Red Weather (family secrets with an extra dose of suspense); Leila Meacham's Tumbleweeds (not literary fiction, but if you loved her Roses--as I did--you'll probably enjoy this one even more). Ariel S. Winter's The Twenty Year Death (hardboiled detective fiction, which I don't normally read) features three intertwined stories in the style of three noted genre authors and was a wonderful find. Francesa Segal (Love Story's Erich Segal was her father) was inspired by Edith Wharton's The Age of Innocence as she envisioned The Innocents. I was charmed and impressed by that one. This month's theme seems to have been literary antecedents--and fine ones, at that!
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