The parts of the following post that are highlighted in yellow were written from notes by Pam Fuchs; much is verbatim. Thanks, Pam!
We had the honor and privilege of receiving an author visit
from David Marion Wilkinson! Wilkinson wrote Not Between Brothers, a historical novel covering Texas from
1816-1861, and consulted on the television production Texas Rising, for the History Channel. Wilkinson told us about some
of his experiences writing the book, which was published in 1996, and working
with the producers of Texas Rising,
which was recently. Wilkinson also expounded on the history of Texas that he
had researched. From what Wilkinson said, we can assume the historical facts
and physical and cultural descriptions in Not
Between Brothers were real.
Wilkinson has been working on TV and/or movie scripts and
productions ever since the book was published. The book was well-received,
selling 5500 copies in 2 months, mostly in Texas and surrounding states. Then
the movie and television industry began asking Wilkinson to help them bring to
the screen some of the history he had so thoroughly researched.
Apparently, the recent completion
and screening of Texas Rising on the
History Channel was a difficult situation and somewhat of an embarrassment to
our author. As a historical-accuracy consultant and screenwriter, he was appalled
by the producers' failures to be true to the history. Three blatant examples
the author railed about were filming in the mountains when there were no
mountains where the events took place, the characters wearing hats that look
like souvenirs from highway rest stops rather than from the 1800s, and the
characters using more current language styles than would accurately represent
the history. Wilkinson knew the Texans would notice the discrepancies, but the
producers didn't get that. They realized and admitted later that Wilkinson was
"right." Nevertheless, Wilkinson claims he has refused to "write"
another screenplay for the group who produced Texas Rising.
Wilkinson said
he read hundreds of books about Texas history before starting. The book that
pushed him over the edge to do this book was The Raven's Bride. He become good friends with the author, Elizabeth
Crook, and expressed gratitude toward her for help with his book.
To write the book, Wilkinson quit his
carpenter/construction job. With a wife and 2 children to care for and a novel
to write, he built a 7' by 7' room and filled it with bookshelves and books. Other
than helping with some childcare, he spent 24/7 in that room writing, for 11
months. Just after he started, both his agent and his editor quit on him. He told
us he wrote purely from fear: fear of not being able to care for his family,
fear of failure.... He said he believes the reader can feel the fear he felt as
they read the book - which he thinks worked well for it because those days were about fear.
The fear and anxiety that Wilkinson claims were constant
companions of everyone living in the 1800s in what is now Texas were about
feeding families, feeding tribes, retaining access to hunting grounds and
living spaces, and raising children in a time and place of hard work and almost
constant warfare. The expansion of the country was a major theme of history. The
whites were farming the Texas soil for the first time. A lot of Native American
tribes were decimated as soon as they had their first contact with others, as
in the smallpox episode that Kills White Bear endured. Everyone is always
caught up in their time and place, and this historical novel is about normal
people in extraordinary times. There are stereotypes of natives with a pastoral
life, but the reality is that they were always fighting with other tribes over
every water hole (small and important), access to the buffalo herds, (huge and
important), and, it seems, most everything else. The natives had to cope with
the Mexicans and the pioneering whites, and the whites suffered constant fear
of natives raiding their holdings to steal horses, women, and children. The
whites fought with the Mexicans. The Mexicans worried about Indian raids, too,
and didn't like the hardworking but relatively uncultured whites who were arriving
in droves and taking over the land. Among all these different cultures, kill or
be killed was what happened.
A lot of potential was lost in the fighting, such as Native
American knowledge about nature.
Wilkinson admires the pioneers' self-reliance, strength, and
endurance. He can forgive the people in
the story, by judging them according to their times and not ours. Life was physically
harsh! People were always willing to fight. Western expansion wasn’t a scheme
but was a need. People needed more land to house and feed their families and
animals. They moved to where land was cheaper. Part of the cheaper package was that
it was located where you could more easily get killed. People were fighting for
their families; that’s what made them so strongly motivated, so interesting and
brutal. If you lost, you lost it all.
The Comanches played
a big role in making Not Between Brothers exciting. Wilkinson mentioned some authors who wrote about the Comanche. Of all the Indian tribes that were
fighting for the Texas area, the Comanche held on to their lifestyle and
freedom the longest: 45 years! Some of the other tribes ceased to exist after
only 10 years among the white pioneers. Wilkinson spoke of the differences
between experiences of children captured. Many boys wanted to go back to
the Comanches after being returned to their parents; they loved the Comanche
lifestyle! Some women, too, adapted to the native ways. Wilkinson's story was
that if a woman was captured, she was hazed, often tortured. They tribal women
tested (tried to break) the whites; if the white women "survived" and
stayed strong, they were often accepted and became wives of warriors.
Wilkinson asked, When
the politicians say we should get America back to when things were great - when
was that exactly? He believes every period had and always will have its
difficulties, struggles, and wars.
Questions &
Answers:
Janice asked about the Comanche vision quest. Wilkinson said
these happened early in life and much in the way described in the book. Early
in the 1800s, the Native American boy would go out alone, cold, sleep-deprived, and
fasting. The physical deprivation brought visions etc. Later more substance-induced
visions became more common, e.g., with peyote. Wilkinson said they did get into
an altered state. As for the example of talking with a bear; Wilkinson was not
saying that the bear talked, but that the person heard it. Another example that
is covered in the history literature is that birds told Crazy Horse where he
could find elk, and he saved his people with those elk.
Shirley asked whether the symbols between the chapters in
the book are authentic. Wilkinson answered that these are from a book by Jack
Jackson, about ranches and brands. The brands in the book are not from Texas
but from old Mexican haciendas.
Carla asked about Wilkinson's story of how Sam Houston and
Andrew Jackson had planned to annex and start a war. Wilkinson explained some
of the complexities of the situation, which he said is not documented history,
but he and others think that was what happened.
Wilkinson would like to finish a novel he has been working
on. We can understand his staying where he's needed in video media right now,
but we look forward to another book!
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